Minarets of Metwaleys, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1848. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
Creator: David Roberts (1796-1864, British)
Creation Year: 1848
Dimensions: Height: 23.88 in (60.66 cm)
Width: 16.75 in (42.55 cm)
Medium: Lithograph
Condition: See description below.
Reference #: 5419
This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1848. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
Creator: David Roberts (1796-1864, British)
Creation Year: 1848
Dimensions: Height: 23.88 in (60.66 cm)
Width: 16.75 in (42.55 cm)
Medium: Lithograph
Condition: See description below.
Reference #: 5419
This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1848. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
Creator: David Roberts (1796-1864, British)
Creation Year: 1848
Dimensions: Height: 23.88 in (60.66 cm)
Width: 16.75 in (42.55 cm)
Medium: Lithograph
Condition: See description below.
Reference #: 5419
This duotone lithograph depicts one of the gates within the walls of Cairo, Egypt as it appeared when David Roberts visited in the late 1830's. The gate served to communicate between one part of the city and another. The gate towers are surmounted by the two minarets of the mosque of el Mua’yyad. A large number of Egyptian men and some women are seen passing through the gate and in the foreground, some riding donkeys. Several men are seen conversing in cafes on both sides of the street. The print is signed in plate in the lower left and the title reportedly in Roberts' hand in the lower right, as it appeared in his original drawing.
This duotone lithograph is printed on wove paper with wide margins. The sheet measures 23.88" high and 16.75" wide. There is very faint toning adjacent to the upper, lower and right edges of the sheet. There is an oblique tear in the lower portion of the left margin which has been professionally repaired on the verso. There is a small spot in the upper portion of the left margin, a small very faint spot in the lower margin on the right and a barely perceptible vertical crease in the left margin. All of these issues would be obscured by a mat at the time of framing, except the small faint spot in the lower margin. The image portion of the print is in excellent condition.
The drawings and watercolours from Roberts' tour of the Holy Land and Egypt were collated together into folios and released over a seven year period by the publisher F.G. Moon from 20 Threadneedle Street London. This lithograph is from the Royal Subscription Edition (1842-1849) with only 500 copies produced per depiction. Louis Haghe (the Belgian engraver and friend of Roberts) worked on all of the lithographs for this series.
David Roberts (1796-1864) was born outside of Edinburgh, Scotland. At age 10 he became a house painter’s apprentice. He continued painting houses and eventually theater scenes in Edinburgh and then in London. His friend, J. M. W. Turner, recognized his artistic talent and encouraged him to become a full-time artist.
In 1839 Roberts traveled to Egypt and then in 1840, through the Holy Land, concluding in Jerusalem. Upon his return to England, F. G. Moon agreed to publish lithographs created by Louis Haghe from Robert’s sketches and watercolors. This publication was highly acclaimed and very popular for its esthetic quality, its historical and topographical accuracy, and Robert’s dramatic depiction of his scenes. Queen Victoria and Charles Dickens were among the subscribers who collected his works. Roberts' and Haghe’s duotone lithographs, often colored, remain extremely sought-after today and have been rising steadily in value.
