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Shop Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint
4806 Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg Image 1 of 8
4806 Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
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4806B Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
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4806 Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
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4806B Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
4806C Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
4806D Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
4806E Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
4806F Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg
4806G Brookshaw, Peaches-Nectarines from %22Pomona Brittanica%22, Plate 38.jpeg

Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint

$2,775.00

George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background.

Creator: George Brookshaw (1751 - 1823, British)

Creation Year: 1804

Dimensions: Height: 28.63 in (72.73 cm) Width: 24.5 in (62.23 cm) Depth: 1 in (2.54 cm)

Medium: Aquatint

Condition: See description below.

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George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background.

Creator: George Brookshaw (1751 - 1823, British)

Creation Year: 1804

Dimensions: Height: 28.63 in (72.73 cm) Width: 24.5 in (62.23 cm) Depth: 1 in (2.54 cm)

Medium: Aquatint

Condition: See description below.

White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
$3,975.00
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
$8,975.00

George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background.

Creator: George Brookshaw (1751 - 1823, British)

Creation Year: 1804

Dimensions: Height: 28.63 in (72.73 cm) Width: 24.5 in (62.23 cm) Depth: 1 in (2.54 cm)

Medium: Aquatint

Condition: See description below.

The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light tan color and the middle mat is green and the inner mat is gold colored. The frame measures 28.63" high by 24.5" wide and 1" deep. There are a few small faint spots in the margins, but the print is otherwise in excellent condition.

Another Brookshaw engraving from his series of fruit illustrations is available. The pair would make for an outstanding attractive display. A discount is available for the purchase of the pair.

George Brookshaw (1751–1823) began his career as a cabinet-maker specializing in furniture decorated with borders of flowers. He became a professional art teacher and in 1797 he published an instructional guide entitled "A New Treatise on Flower Painting". He eventually became a professional artist and author, publishing 'Pomona Brittanica' in 1812, late in his career. His goal was to create a visual display of some of the best examples of fruit available in England at the time, which he hoped would encourage gardeners to experiment and to be creative in their gardens. 90 striking drawings and engravings of over 250 varieties of fruit are illustrated, including apples, peaches, melons, grapes and pears. Some of the subjects for his illustrations were found in the royal gardens at Hampton Court, Kensington Gardens and the Prince of Wales' estate in Blackheath.

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