"Concrete Mixer, Moscow": Early 20th C. Woodcut Engraving by Albert Abramovitz

This is an excellent woodcut impression, printed on deckle edge thin chain-linked Japanese mulberry paper with wide margins. It is pencil signed by the artist in the lower margin on the right. The title is written on the verso in pencil. The sheet measures 9.5" in height and 11" in width. There is some discoloration in the lower margin that maybe soiling or could be related to the paper manufacture. A tiny tear is present at the lower edge. The print is otherwise in very good condition.

Albert Abramovitz (1879-1963) was a painter and printmaker who was born in Riga, Latvia and studied art at the Imperial Art School in Odessa, Ukraine and in Paris, at the Académie de la Grande Chaumière. He was a member of the Paris Salon, serving on its panel for the review of juried works of art. He was also a member of the Societaire Salon d'Automne. He was awarded the Grand Prize at the 1911 Universal Exposition in Rome and Turin.

In 1916, Abramovitz emigrated to the United States, first living in Manhattan then briefly in Los Angeles in the late 1920's, living in Brooklyn, New York the rest of his lfe. His work was exhibited across the United States in multiple shows and collections. Abramovitz produced murals for the Federal Arts Project Works Progress Administration in New York. His works are in the collections of the Smithsonian Museum of American Art, the British Museum, the Metropolitan Museum of Art, the New York Public Library, the Spencer Museum of Art, the University of Michigan Museum of Art, the Victoria and Albert Museum, and the Library of Congress.