The Column of Trajan in Rome, 19th Century Framed Etching by Luigi Rossini 1823

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Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst broken ancient Roman columns that lie around it. The column in Trajan's Forum commemorates Roman emperor Trajan's victory in the Dacian Wars. Buildings in the background represent two libraries and the Basilica Ulpia. There are people in the foreground; some walking through the square, some standing observing the scene and others in discussion.

Creator: Luigi Rossini

Creation Year: 1823

Dimensions: Height: 29.5 in (74.93 cm)
Width: 30.88 in (78.44 cm)
Depth: 1.5 in (3.81 cm)

Medium: Etching

Condition: See description below.

Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst broken ancient Roman columns that lie around it. The column in Trajan's Forum commemorates Roman emperor Trajan's victory in the Dacian Wars. Buildings in the background represent two libraries and the Basilica Ulpia. There are people in the foreground; some walking through the square, some standing observing the scene and others in discussion.

Creator: Luigi Rossini

Creation Year: 1823

Dimensions: Height: 29.5 in (74.93 cm)
Width: 30.88 in (78.44 cm)
Depth: 1.5 in (3.81 cm)

Medium: Etching

Condition: See description below.

The etching is presented in a silver-colored wood frame with an off-white double mat with a black inner mat. It is in very good condition.

Rossini was born in Rome and trained at the Academy of Bologna. Upon graduation, he moved to Rome and attempted a career as an architect. As he was not economically successful as an architect, he became a full-time artist, initially producing souvenirs for local collectors, wealthy and aristocratic European tourists on the Grand Tour, as well as for architectural students and practitioners all over Europe. Many of his prints were published in several imperial folio sized collections, including Le Anchita Romane (The Rome of Antiquity).