19th Century Daumier Satirical Lithograph "Triumph of the Botanist"

$975.00

A satirical lithograph by Honoré Daumier (1808-1879) entitled "Un Triomphe de Botaniste" (Triumph of the Botanist), which depicts a proud and nervous botanist in glasses and a wide brimmed hat awaiting the critique of a snobby critic, who is smelling his blooming flowers. The French text beneath the image roughly translates: "Here, sir, sniff me that ... here is a rose of which I am proud, it blooms for the first time .... and by dint of patience, I managed to make it acquire the smell of rhubarb! .. I must be quoted in the next Journal of Useful Knowledge" or "Look at this, sir, go ahead, smell it ... I am proud of this particularly pink flower ... it's flourishing for the first time ... with patience, and care I was able to give it an odor of rhubarb! .. . Surely I should be mentioned in the next edition of the Journal of Useful knowledge". The lithograph was published in the famous and very popular French satirical magazine Le Charivari in its October 20, 1844 issue.

Creator: Honoré Daumier (1808 - 1879, French)

Creation Year: 1844

Dimensions: Height: 18 in (45.72 cm) Width: 15.25 in (38.74 cm) Depth: 0.63 in (1.61 cm)

Medium: Lithograph

Condition: See description below.

A satirical lithograph by Honoré Daumier (1808-1879) entitled "Un Triomphe de Botaniste" (Triumph of the Botanist), which depicts a proud and nervous botanist in glasses and a wide brimmed hat awaiting the critique of a snobby critic, who is smelling his blooming flowers. The French text beneath the image roughly translates: "Here, sir, sniff me that ... here is a rose of which I am proud, it blooms for the first time .... and by dint of patience, I managed to make it acquire the smell of rhubarb! .. I must be quoted in the next Journal of Useful Knowledge" or "Look at this, sir, go ahead, smell it ... I am proud of this particularly pink flower ... it's flourishing for the first time ... with patience, and care I was able to give it an odor of rhubarb! .. . Surely I should be mentioned in the next edition of the Journal of Useful knowledge". The lithograph was published in the famous and very popular French satirical magazine Le Charivari in its October 20, 1844 issue.

Creator: Honoré Daumier (1808 - 1879, French)

Creation Year: 1844

Dimensions: Height: 18 in (45.72 cm) Width: 15.25 in (38.74 cm) Depth: 0.63 in (1.61 cm)

Medium: Lithograph

Condition: See description below.

This lithograph's Inscriptions: Upper left above the image: "LES BEAUX JOURS DE LA VIE." (The Best Days in Life); lower right in block: "672"; lower left below the image: "Chez Aubert & Cie. Pl. de la Bourse 29."; lower right below the image: "Imp. d'Aubert & Cie."; lower center below the image: "UN TRIOMPHE DE BOTANISTE. Tenez, monsieur, flairez moi ça... voila une rose dont je suis fier, elle fleurit pour la première fois.... à force de soins et de patience, je suis parvenu à lui faire acquérir l'odeur de la rhubarbe!.. je dois être cité dans le prochain numéro du journal des Connaissances utiles." Daumier's initials (hD) can be found in block in the lower right.

The print is presented in a simple black wood frame and a cream-colored mat. There is scattered spotting, but the print is otherwise in good condition.

Artist: Born in Marseille, Honoré Daumier moved to Paris at the age of eight. During his forty-year career, he produced over 4,000 lithographic caricatures and hundreds of small oil paintings, a body of work which endures today as one of the greatest bodies of satirical art ever produced. In 1832, he was convicted and jailed for insulting the King in a print called Gargantua, which depicted King Louis Phillippe on a giant chamber pot excreting political favors. From then on Daumier generally avoided political topics and used the middle class city-dwellers of Paris as his subjects. His prints appeared regularly in several Parisian satirical journals, the most famous being Le Charivari. Daumier targeted the expanding class of French bourgeoisie and their pretensions to gentility, intellectualism and wealth. He used compassion and gentle humor to reveal ironies and satire. The closest he ever came to political satire after his imprisonment was a series of thirty-nine prints depicting legal proceedings, lawyers and judges, entitled Men of Justice (1845-48). These works, among his best known, are decidedly stronger in the criticism of their subjects. His other subjects include comedic theatre, charlatans of every variety, artists and collectors, Parisian women and the newly emerging railway. Daumier enjoyed great popularity during his life, but never managed to achieve financial success. Publications Publishing Daumier's work: Le Charivari; La Silhouette; La Caricature; La Caricature Provisoire; Le Boulevard; La Revue Comique; Le Petit Journal Pour Rire; Le Journal Amusant; La Presse; Le Monde Illustre

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